Order # |
Title and
Description
(All selections are arranged by Harold Streeter and are in standard
tuning, 4/4 time, unless otherwise specified)
|
Key |
Number of Measures |
Tab Price |
G1515 |
ALABAMA JUBILEE
(fiddle tune - written by Jack Yellen and
George Cobb in 1915 - tab consists of 2
sections - Chord/Melody and Single-
string styles) |
A |
33 measures |
3.50 |
G2206 |
AMAZING GRACE
(traditional Gospel - 3/4 time - written by
John Newton and published in 1779 - tab
consists of 3 verses in Chord/Melody
and Carter styles) |
C and D |
56 measures |
4.50 |
G2348 |
AMERICA THE BEAUTIFUL
(Patriotic - lyrics were written by Katharine
Lee Bates in 1893, with music written by
Samuel A. Ward in 1895 - tab consists of
one verse - Chord/Melody style) |
A |
20 measures |
3.00 |
G2324 |
ANGELS WE HAVE HEARD ON HIGH
(traditional Christmas - derived from the
French carol "Les Anges dans nos
campagnes" ("Angels in our countryside"),
translated into English by James Chadwick
in 1862 - the tab consists of 2 sections in
Chord/Melody style) |
C |
21 measures |
3.00 |
G2440 |
ASH GROVE ("Sent Forth By God's Blessing")
(traditional Welsh melody - 3/4 time - the
tab consists of 3 sections and includes an
optional second (harmony) guitar part
in Single-string style) |
C |
66 measures |
4.50 |
G2381 |
ASHOKAN FAREWELL
(fiddle tune - 3/4 time - written in 1982
by Jay Ungar, this was the theme heard
throughout Ken Burns' PBS Civil War
series - the tab consists of 4 sections
and ending - Chord/Melody style) |
D |
57 measures |
4.50 |
G2362 |
BATTLE HYMN OF THE REPUBLIC
(originally an American abolitionist song,
written by Julia Ward Howe in 1861, first
published in "The Atlantic Monthly" in
1862 - tab consists of verse and 2 refrains
in Chord/Melody style) |
C and G |
29 measures |
3.50 |
G2111 |
BEAUTIFUL OHIO
(early Pop and official state song of Ohio,
3/4 time - written by Mary Earl and Ballard
MacDonald in 1918 - tab consists of 8
sections in 2 arrangements - Single-string
and Chord/Melody styles) |
C |
58 measures |
4.50 |
G1516 |
BE READY FOR TOMORROW MAY NEVER
COME - (traditional Gospel - tab consists
of intro, verse and chorus - Carter style) |
C |
41 measures |
3.50 |
G1960 |
BE THOU MY VISION
(8th century Irish hymn - 3/4 time - written
by Dallan Forgaill, with lyrics translated to
English in 1905, with additional lyrics
provided by Eleanor Hull in 1912 - the tab
consists of 2 intros, 2 verses, and ending
in Single-string, Cross Picking and
Chord/Melody styles) |
G and C |
58 measures |
4.50 |
G1227 |
BILLY IN THE LOW GROUND
(traditional fiddle tune - recorded by Eck
Robertson in 1922 and Fiddlin' Doc Roberts
between 1925-1928 - the tab consists of 4
sections - Single-string style) |
C |
18 measures |
2.00 |
G2211 |
BLESSED ASSURANCE
(Gospel - 3/4 time - written by Fanny
Crosby and Phoebe Knapp in 1873 - tab
consists of 4 verses - Cross Picking
and Carter styles) |
C |
63 measures |
4.50 |
G121 |
BLUEGRASS STOMP
(12-bar Blues - written and recorded by
Bill Monroe in 1949 - tab consists of 3
sections - Single-string style) |
D |
39 measures |
3.50 |
G1511 |
BLUE MOON
(30's Pop - written in 1932 by Lorenz Hart
and Richard Rodgers, first recorded by
Glen Gray and the Casa Loma Orchestra
in 1935 - tab is based on The Ventures 1961
recording and consists of intro and 3 verses,
Chord/Melody and Single-string styles) |
C |
41 measures |
3.50 |
G108 |
BONAPARTE'S RETREAT
(traditional ballad and fiddle tune with
Cajun feel - tab consists of 4 sections in
Carter and Single-string styles) |
G |
33 measures |
3.00 |
G112 |
BUFFALO GALS
(traditional American Folk - written and
published as "Lubly Fan" in 1844 by the
blackface minstrel John Hodges, who
performed as "Cool White" - tab consists of
5 sections - Single-string style) |
G |
41 measures |
3.50 |
G2311 |
BURY ME BENEATH THE WILLOW
(19th century Folk - performed by Bradley
Kincaid in the 1920's, recorded by the
Carter Family in 1927 - tab consists of 2
sections - Cross Picking and Single-
string styles) |
G |
33 measures |
3.00 |
G132 |
BY THE TIME I GET TO PHOENIX
(60's Pop - written by Jimmy Webb and first
recorded by Johnny Rivers in 1965 - hit for
Glen Campbell in 1967 - tab consists of 2
verses - Chord/Melody style) |
D |
40 measures |
3.50 |
G151 |
CLINCH MOUNTAIN BACKSTEP
(written and first recorded by Ralph Stanley
in 1959, this popular Bluegrass tune is
based on a much earlier piece called
"Lonesome John" - tab consists of 4
sections - Single-string style) |
G |
35 measures |
3.00 |
G137 |
CLOSE TO YOU
(70's Pop - written by Burt Bacharach and
Hal David, first recorded in 1963 by Richard
Chamberlain, then by "The Carpenters" for
their first hit from their 1970 debut album
"Close to You" - tab consists of 3 verses
and chorus - Chord/Melody style) |
A |
34 measures |
3.50 |
G020 |
COLUMBUS STOCKADE BLUES
(traditional Country - tab consists of verse
and chorus - Carter style) |
C |
33 measures |
3.00 |
G017 |
COTTON FIELDS
(Blues and Bluegrass - written and first
recorded by Huddie Ledbetter (Lead Belly)
in 1936 - tab is based on the Osborne
Brothers' recording and consists of verse
and chorus - Carter style) |
C |
33 measures |
3.00 |
G134 |
COUNTRY ROADS (Take Me Home)
(70's Country - written by John Denver, Bill
Danoff and Taffy Nivert, first recorded by
John Denver on his 1971 album "Poems,
Prayers and Promises" - tab consists of
verse, bridge and 2 choruses - Carter and
Single-string styles) |
G |
65 measures |
4.50 |
G1254 |
CUCKOO'S NEST
(traditional fiddle tune from early 18th
century - tab consists of 4 sections in
Single-string and Cross Picking styles) |
D |
19 measures |
2.00 |
G246 |
DANNY BOY (Londonderry Aire)
(Irish lament - tab consists of 2 sections
in Chord/Melody style) |
D |
33 measures |
3.00 |
G442 |
DOWN YONDER
(fiddle tune - written by L. Wolfe Gilbert,
published in 1921 and first recorded in 1951
on piano by Del Wood and Joe ´Fingers´
Carr - tab consists of 2 sections - Carter
and Single-string styles) |
C |
41 measures |
3.50 |
G165 |
EBB TIDE
(60's Pop - written in 1953 by Carl Sigman
and Robert Maxwell, first recorded by Frank
Chacksfield and his orchestra the same
year, then by the Righteous Brothers in
1965 - tab consists of one verse in
Chord/Melody style) |
C |
29 measures |
3.00 |
G022 |
EDELWEISS
(50's Folk - 3/4 time - written by Rodgers
and Hammerstein for the 1959 musical
"The Sound of Music" - title refers to the
"edelweiss", a white flower that grows in
the Alpine hills - tab consists of 2 verses
and 2 choruses - Chord/Melody style) |
A |
30 measures |
3.00 |
G167 |
EIGHT MORE MILES TO LOUISVILLE
(Bluegrass - written and first recorded by
Grandpa Jones during the 40's - tab
consists of verse and chorus - Single-
string and Carter styles) |
C |
35 measures |
3.00 |
G164 |
EL PASO
(60's Country - 3/4 time - written and first
recorded by Marty Robbins for his 1959
"Gunfighter Ballads and Trail Songs" album
with Grady Martin on guitar - tab consists
of 3 verses and chorus - Single-string
and Carter styles) |
C |
62 measures |
4.00 |
G025 |
FADED LOVE
(Texas Swing - a hit for Bob Wills in 1950,
based on an old fiddle tune melody he
learned from his father - tab consists of 2
verses - Carter and Chord/Melody styles) |
G |
33 measures |
3.00 |
G915 |
FAR SIDE BANK OF JORDAN
(Gospel - tab consists of intro/break as
played on the 1994 Alison Krauss and
Cox Family CD - Single-string style) |
G |
18 measures |
2.00 |
G173 |
FIREBALL MAIL
(Bluegrass - tab is based on Don Reno's
and Mac Wiseman's recordings, and
consists of 2 arrangements (one verse
each) - Carter and Single-string styles) |
D and G |
36 measures |
3.00 |
G1253 |
FISHER'S HORNPIPE
(traditional fiddle tune - tab consists of
4 sections - Single-string style) |
D |
19 measures |
2.00 |
G1221 |
FOLSOM PRISON BLUES
(50's Country - partly written by Johnny
Cash, with portions taken from a song by
Gordon Jenkins on Jenkin's 1953 "Seven
Dreams" album - recorded by Johnny Cash
in 1955 - tab consists of intro, break and
rhythm in Luther Perkins style - Carter and
Single-string styles) |
E |
30 measures |
3.00 |
G171 |
FOUR STRONG WINDS
(Folk - written by Ian Tyson in 1961, first
recorded by "The Brothers Four" in 1964,
then by Ian and his wife Sylvia the same
year - the piece has an unusual ending; it
ends on the dominant (D) chord - tab
consists of 3 verses - Carter style)
|
G |
35 measures |
3.00 |
G178 |
FREIGHT TRAIN
(Country - written by Elizabeth Cotten in
1907 at age 12 - tab is based on Chet
Atkins' fingerstyle guitar recording, and
consists of 2 sections - Carter and
Single-string styles) |
C |
33 measures |
3.00 |
G2110 |
GEORGIANNA WALTZ
(traditional Country waltz - 3/4 time - tab
consists of 2 sections - Single-string style) |
A |
65 measures |
4.00 |
G185 |
GODFATHER LOVE THEME ("Speak Softly
Love") - (theme of the 1972 movie "The
Godfather" - written by Larry Kusik and
Nino Rota - tab consists of 3 verses and
chorus - Chord/Melody style) |
Am |
29 measures |
3.00 |
G190 |
GRANDFATHER'S CLOCK
(Country - written in 1876 by Henry Clay
Work - tab consists of verse, chorus and
bridge ("ticking clock" with harmonics)
in Single-string and Carter styles) |
C |
49 measures |
3.50 |
G2417 |
GREAT SPECKLED BIRD
(Gospel - based on Jeremiah 12:9, written
by Reverend Guy Smith, first recorded by
Roy Acuff in 1936 - tab consists of one
verse at intermediate level and one verse
at advanced level - Single-string style) |
G |
33 measures |
3.00 |
G192 |
GREEN GRASS OF HOME
(Country - written by Claude Putman Jr,
recorded by Porter Wagoner in 1964, hit for
Tom Jones in 1966 - tab consists of 2
verses - Chord/Melody style) |
D |
20 measures |
2.00 |
G033 |
HOME, SWEET HOME
(Folk - adapted from the 1823 opera "Clari,
Maid of Milan" with melody by Sir Henry
Bishop and words by John Howard Payne,
American folk piece for over 150 years - tab
consists of verse and chorus - Carter style) |
C |
33 measures |
3.00 |
G1510 |
HONKY TONK
(50's Rock/Pop and 12-bar Blues - written
by Billy Butler, Bill Doggett, Clifford Scott
and Berisford "Shep" Shephard - hit for Bill
Doggett in 1956 - tab consists of 4 sections
in Single-string style) |
E |
96 measures |
5.50 |
G214 |
I AIN'T GONNA WORK TOMORROW
(Bluegrass - tab is based on Flatt and
Scruggs' 1961 recording and consists of 2
verses - Single-string and Carter styles) |
G |
33 measures |
3.00 |
G2289 |
I AM A PILGRIM
(traditional Gospel Blues - tab consists of
basic melody, lyrics, and one break in
Cross Picking and Single-string styles) |
G |
34 measures |
3.00 |
G2347 |
I KNOW WHO HOLDS TOMORROW
(Gospel - tab consists of transcription of
guitar break and adaptation of mandolin
break from the title song of Alison Krauss
and the Cox Family's 1994 album in
Single-string style) |
A |
38 measures |
3.50 |
G2282 |
I'LL FLY AWAY
(Gospel - written by Albert Brumley in
1929, first recorded in 1946 by James and
Martha Carson - tab consists of verse and
chorus - Carter style) |
C |
37 measures |
3.50 |
G034 |
I'M SO LONESOME I COULD CRY
(50's Country - 3/4 time - written and first
recorded by Hank Williams in 1949 - tab
consists of 2 verses - Chord/Melody and
Carter styles) |
C |
33 measures |
3.00 |
G1211 |
I'M WORKING ON A BUILDING
(Gospel - tab is based on Bill Monroe's
1954 recording and consists of verse and
chorus - Single-string and Carter styles) |
G |
33 measures |
3.00 |
G203 |
I SAW THE LIGHT
(Country Gospel - written by Hank Williams
in 1948 - tab consists of verse and chorus
in Single-string and Carter styles |
D |
34 measures |
3.00 |
G2342 |
I SAW THE LIGHT
(tab consists of verse and chorus in
Single-string and Carter styles) |
C |
35 measures |
3.00 |
G782 |
I WONDER HOW THE OLD FOLKS ARE AT
HOME ("Homestead on the Farm")
(Bluegrass - tab consists of 2 verses and is
based on Mac Wiseman's 1952 recording in
Carter and Cross Picking styles) |
G |
33 measures |
3.00 |
G228 |
JAMBALAYA
(50's Country - written and first recorded by
Hank Williams in 1952 - tab is based on his
recording and consists of verse and chorus
in Carter and Single-string styles) |
G |
33 measures |
3.00 |
G226 |
JEAN
(60's Pop - 3/4 time - written and recorded
by Rod McKuen for the 1969 movie "Prime
of Miss Jean Brodie" - a hit the same year
for Oliver (William Swofford) - tab consists
of intro, 3 verses, chorus and ending in
Chord/Melody style) |
C |
59 measures |
4.00 |
G233 |
JESSE JAMES
(19th century ballad - tab consists of verse
and chorus - Carter style) |
G |
33 measures |
3.00 |
G2254 |
JESUS HELP ME TO STAND
(Gospel - 3/4 time - written by Ron Block
and included on Alison Krauss’ and Union
Station’s 1992 “Every Time You Say
Goodbye” CD - tab consists of intro as per
recording plus verse and chorus breaks in
Carter and Cross Picking styles) |
C |
57 measures |
4.00 |
G1503 |
JESUS SAVIOR, PILOT ME
(traditional Gospel - also known as the
"Sailor's Hymn" - written and published in
1871 - tab is based on Lester Flatt and Earl
Scruggs' 1958 recording and consists of
verse and refrain - Carter and Cross
Picking styles) |
D |
35 measures |
3.00 |
G1474 |
JOHNNY B. GOODE
(50's Rock - written by Chuck Berry in
1955 and first recorded by him in 1958, his
guitar intro is a note-for-note copy of the
opening single-note solo on Louis Jordan's
1946 recording "Ain't That Just Like a
Woman", played by guitarist Carl Hogan,
tab consists of intro, rhythm section and
break - Single-string style) |
A |
45 measures |
3.50 |
G2341 |
JUST A CLOSER WALK WITH THEE
(Gospel - composer is anonymous - first
popularized during the 1930's and first
recorded by the Selah Jubilee Singers in
1941 - tab consists of 2 arrangements at
intermediate and advanced levels - Single-
string and Cross Picking styles) |
C |
40 measures |
3.50 |
G039 |
KEEP ON THE SUNNY SIDE
(traditional Gospel - written in 1899 by Ada
Blenkhorn, first recorded by the Carter
Family in 1928 - tab consists of verse and
chorus - Carter style) |
C |
33 measures |
3.00 |
G2463 |
KEEP ON THE SUNNY SIDE
(tab is based on "The Whites" recording,
with melody and chord progression differing
slightly from G039 above, and consists of
verse and chorus - Carter style) |
C |
33 measures |
3.00 |
G1251 |
KNOXVILLE GIRL
(3/4 time - 19th century mountain ballad,
tab consists of one verse - Carter style) |
C |
33 measures |
3.00 |
G2305 |
LET ALL MORTAL FLESH KEEP SILENCE
(French hymn - composed in Greek in the
4th century, set to the French folk melody
"Picardy" in the 17th century - tab consists
of 3 sections - Chord/Melody style) |
Em and Am |
30 measures |
3.00 |
G1148 |
LET THE LOWER LIGHTS BE BURNING
(Gospel - written by Phillip Bliss in 1871,
tab consists of intro, verse and chorus in
Single-string and Cross Picking styles) |
G |
42 measures |
3.50 |
G2412 |
LORD OF THE DANCE ("Simple Gifts")
(Shaker Gospel song - written in 1848 by
Elder Joseph Brackett Jr, with new lyrics
written in 1963 by Sydney Carter - tab
consists of 2 sections - Single-string
and Cross Picking styles) |
C |
17 measures |
2.00 |
G256 |
MAIDEN'S PRAYER
(Texas Swing - lyrics written by Bob Wills
set to traditional fiddle tune melody, first
recorded in 1935 - tab consists of 2 verses
in 2 keys - Carter style) |
C and G |
33 measures |
3.00 |
G267 |
MARIA ELENA
(Latin ballad - written by Lorenzo Barcelata,
first recorded by Jimmy Dorsey Orchestra
in 1941 - tab consists of 2 sections in
Chord/Melody style) |
G |
33 measures |
3.00 |
G249 |
ME AND BOBBY McGHEE
(60's Country - written by Kris Kristofferson,
first recorded by Roger Miller, then Gordon
Lightfoot in 1969, then Janis Joplin in 1970,
tab consists of 2 verses - Single-string
and Carter styles) |
G |
45 measures |
3.50 |
G1514 |
MEMPHIS
(50's Rock - written and first recorded by
Chuck Berry in 1959, then by Lonnie Mack
as an instrumental in 1963, then by Johnny
Rivers in 1964 - the tab is based on all 3
versions, consisting of intro and ending as
per Johnny Rivers, plus Lonnie Mack and
Chuck Berry breaks - Single-string style) |
E |
80 measures |
5.00 |
G255 |
MICHELLE
(Beatles - written by Paul McCartney, first
recorded on the Beatles' 1965 "Rubber
Soul" album - tab is partly based on Chet
Atkins' recording, and consists of intro, 2
vocal similes, plus solo based on George
Martin's lead guitar break, and ending in
Single-string and Chord/Melody styles) |
D |
44 measures |
3.50 |
G1132 |
NEAR THE CROSS
(Gospel - 3/4 time - written in 1869 by
Fanny Crosby - tab is based on Jim
Smoak's recording and consists of verse
and chorus - Carter style) |
C |
34 measures |
3.00 |
G277 |
NEVER ENDING SONG OF LOVE
(70's Country Rock - written by Carl Radle
and Delaney and Bonnie Bramlett - hit for
Delaney and Bonnie in 1971 - tab consists
of 2 verses and chorus - Single-string
and Carter styles) |
D |
49 measures |
3.50 |
G273 |
NINE POUND HAMMER
(traditional Country Blues and Bluegrass,
first recorded by the "Hill Billies" in 1927,
found its way into Bluegrass after Merle
Travis recorded it in 1944 - tab consists of
4 sections - Single-string style) |
E |
33 measures |
3.00 |
G287 |
NOWHERE MAN
(Beatles - tab is based on the Beatles'
1965 recording from their "Rubber Soul"
album and consists of 3 verses and
chorus - Chord/Melody style) |
C |
32 measures |
3.00 |
G2334 |
OLD IRISH BLESSING
(Celtic Gospel - tab consists of intro and
2 sections - Chord/Melody style) |
Em |
28 measures |
3.00 |
G2382 |
OLD RUGGED CROSS
(Gospel - 3/4 time - written in 1912 by
George Bennard, this great old standby is
regarded as the most popular hymn of the
20th century - tab consists of verse and
refrain - Carter and Chord/Melody styles) |
C |
33 measures |
3.00 |
G055 |
OLD TIME RELIGION
(traditional Gospel - circa 1873 - published
by Charles Davis Tillman - tab consists of 2
verses - Single-string and Carter styles) |
G |
17 measures |
2.00 |
G1473 |
PERFIDIA
(40's Latin Pop and 60's Rock - written in
1939 by Alberto Domínguez, hit for Xavier
Cugat in 1940, recorded by the Ventures in
1960 on their "No Trespassing" album - tab
is based on the Ventures' recording and
consists of 2 sections - Single-string style) |
C |
33 measures |
3.00 |
G916 |
PESCADOR de HOMBRES (Lord, You Have
Come) - (Spanish Gospel - written by
Cesareo Gabarain in 1979 - tab consists of
verse and refrain - Single-string and
Chord/Melody styles) |
D |
33 measures |
3.00 |
G1509 |
PIPELINE
(60's Rock - recorded by the "Chantays" in
1962 - tab is based on their recording and
consists of 4 sections - Single-string style) |
Em |
46 measures |
3.50 |
G2509 |
PLANXTY IRWIN
(Celtic - 3/4 time - written by Turlough
O'Carolan (1670-1738) - tab consists of 2
sections - Chord/Melody style) |
D |
34 measures |
3.00 |
G381 |
PRECIOUS MEMORIES
(traditional Gospel hymn credited to J.B.F.
Wright in 1925, but may have been written
as early as 1877 - tab consists of intro as
played by Norman Blake, plus verse and
chorus - Single-string style) |
G |
41 measures |
3.50 |
G2446 |
PURPLE ROBE
(traditional Gospel - tab is partly based on
the Village Singers' recording, and in part
on the Stanley Brothers' 1959 recording,
and consists of intro and 2 breaks in
Single-string and Carter styles) |
G |
37 measures |
3.50 |
G1513 |
RAM-BUNK-SHUSH
(60's Rock - tab is as played by the
Ventures on their 1961 "Lonely Heart"
album and consists of intro and 4 sections
in Single-string style) |
G and A |
68 measures |
4.00 |
G305 |
RED WING
(traditional fiddle tune - written in 1907 with
lyrics by Thurland Chattaway and music by
Kerry Mills - the tab consists of verse and
chorus - Single-string and Carter styles) |
C |
33 measures |
3.00 |
G313 |
RIDING ON THE CITY OF NEW ORLEANS
(70's Folk/Country - written by Steve
Goodman and first recorded by Arlo Guthrie
in 1972 - tab consists of verse, bridge and
chorus - Single-string and Carter styles) |
G |
49 measures |
3.50 |
G067 |
SCARLET RIBBONS
(40's Folk - 3/4 time - tab consists of verse
and chorus - Chord/Melody style) |
E |
35 measures |
3.00 |
G317 |
SECRET LOVE
(50's Pop - written in 1953 with music by
Sammy Fain and lyrics by Paul Francis
Webster, first performed by Doris Day in
the movie "Calamity Jane" the same year,
tab consists of verse and chorus in
Chord/Melody style) |
C |
32 measures |
3.00 |
G329 |
SOLDIER'S JOY
(traditional fiddle tune dating from the
Revolutionary War but popular during the
Civil War - first recorded by the Skillet
Lickers in 1929 - tab consists of 4
sections - Single-string style) |
C |
35 measures |
3.00 |
G322 |
SOMEWHERE MY LOVE ("Lara's Theme")
(60's movie theme - 3/4 time - from the
1965 movie "Doctor Zhivago" - tab consists
of extended intro, 3 verses, chorus and
ending - Chord/Melody style) |
A |
69 measures |
4.50 |
G071 |
SOUNDS OF SILENCE
(60's Folk/Pop - written by Paul Simon
in 1964 after President Kennedy was shot
on November 22, 1963 - first recorded by
Simon and Garfunkel for their first album
"Wednesday Morning, 3 A.M." - the tab
consists of 2 verses - Chord/Melody style) |
Am |
16 measures |
2.00 |
G1585 |
STREETS OF LAREDO (Cowboy's Lament)
(traditional Western - 3/4 time - based on
the 18th century folk song "The Unfortunate
Rake" - tab consists of intro, 2 verses and
chorus - Single-string and Chord/Melody
styles - Drop D tuning) |
D |
61 measures |
4.00 |
G1933 |
SWEET BUNCH OF DAISIES
(traditional 1890's waltz - 3/4 time - first
recorded by "The HillBillies" in 1926 - tab is
as played by R. Shafer and R. Kessinger
and consists of intro and 3 sections in
Single-string style) |
C |
100 measures |
5.50 |
G355 |
TENNESSEE STUD
(Country and Bluegrass - written by Jimmy
Driftwood, first recorded by Eddy Arnold in
1959 - tab is based on Doc Watson's
recording and consists of extended intro,
2 verses, 2 choruses and ending in
Single-string and Carter styles) |
D |
66 measures |
4.00 |
G1512 |
TEQUILA
(50's Rock - written as an end-of-session
jam tune by Daniel Flores, first recorded in
1958 by "The Champs" - also recorded by
Larry Carlton on his 1983 album "Friends",
plus recordings by Wes Montgomery and
by "The Ventures" - tab is based on Larry
Carlton's and the Ventures' recordings, and
consists of intro, 6 sections and ending
in Single-string style) |
A and D |
64 measures |
4.00 |
G350 |
THE WAY WE WERE
(70's Pop - written by Alan and Marilyn
Bergman, recorded by Barbra Streisand for
the 1973 movie "The Way We Were" - the
tab consists of 3 verses and chorus in
Chord/Melody style - Drop D tuning) |
A |
40 measures |
3.50 |
G2465 |
TURN YOUR RADIO ON
(Gospel - written by Albert Brumley in
1937, published in 1938, hit for both Ray
Stevens and the Blackwood Brothers - tab
consists of intro, verse and chorus in
Single-string style) |
G |
38 measures |
3.50 |
G365 |
UNCHAINED MELODY
(50's Pop - written in 1955 by Alex North
and Hy Zaret - first recorded same year by
Todd Duncan - hit for Righteous Brothers in
1965 - tab consists of verse and chorus in
Chord/Melody style) |
D |
37 measures |
3.50 |
G1472 |
WALK, DON'T RUN
(60's Rock - written and first recorded by
Johnny Smith in 1955 - tab is based on the
Ventures' recording from their 1960 "Home"
album and consists of intro and 4 sections
in Single-string style) |
C |
36 measures |
3.00 |
G084 |
WALK RIGHT IN
(60's Folk/Pop - written by Gus Cannon,
first recorded by Cannon and His Jug
Stompers in the late 1920s - tab is based
on the "Rooftop Singers" 1962 recording
and consists of one verse - Single-string
and Chord/Melody styles) |
A |
17 measures |
2.00 |
G971 |
WALK RIGHT IN
(tab consists of transcription of the two
12-string guitar breaks from the "Rooftop
Singers" 1962 recording - Single-string
and Chord/Melody styles) |
A |
34 measures |
3.00 |
G2101 |
WHEELS
(60's Pop - written and first recorded by
"The String-A-Longs in 1961, this was their
biggest hit - tab consists of 7 sections in 3
keys - Single-string style) |
A |
101 measures |
5.50 |
G367 |
WHEN YOU AND I WERE YOUNG, MAGGIE
(Folk - written by George Washington
Johnson - published in 1864, first recorded
in 1905 by Corinne Morgan and Frank C.
Stanley - tab consists of verse and chorus
in Carter style) |
C |
33 measures |
3.00 |
G1541 |
WHERE THE ROSES NEVER FADE
(Gospel - written by Janie West and Robert
Metzgar in 1929 - recorded by Jim and
Jesse in the 1960's on their "Old Country
Church" album - tab consists of intro, verse
and chorus - Carter style) |
C |
42 measures |
3.50 |
G804 |
WHO WILL SING FOR ME
(traditional Gospel - tab is based in part
on Lester Flatt and Earl Scruggs' 1959
recording and consists of verse and chorus
in Single-string and Cross Picking styles) |
G |
33 measures |
3.00 |
G093 |
WILDWOOD FLOWER
(written and published in 1860 as "I'll Twine
'Mid the Ringlets" - first recorded by the
Carter Family in 1928 - tab consists of 3
verses and 3 choruses; the last verse and
chorus consists of a Texas Swing treatment
in Single-string and Carter style) |
C |
41 measures |
3.50 |
G2268 |
WILDWOOD FLOWER
(tab consists of 2 sections - Carter and
Cross Picking styles) |
C |
34 measures |
3.00 |
G375 |
WILL THE CIRCLE BE UNBROKEN
(traditional Gospel hymn first titled "Can the
Circle Be Unbroken - first recorded by the
Carter Family in 1935 - tab consists of 2
arrangements in 2 keys - Carter style) |
C and G |
34 measures |
3.00 |
G2476 |
WILL THE CIRCLE BE UNBROKEN
(tab consists of 2 sections - Carter and
Cross Picking styles) |
G |
33 measures |
3.00 |
G1032 |
WILL THE CIRCLE BE UNBROKEN
(tab consists of one blues-oriented section
in Single-string style) |
D |
17 measures |
2.00 |
G372 |
WRECK OF THE OLD 97
(traditional Folk song about a train called
the "Fast Mail" that left the track near
Danville, Virginia on Sept. 27, 1903 - first
recorded by Vernon Dalhart in 1924 - tab is
based on Flatt and Scruggs version and
consists of 2 verses with double ending,
in Single-string and Carter styles) |
G |
22 measures |
2.50 |
G801 |
WRECK OF THE 1262 (The Freight Wreck at
Altoona) - (traditional ballad - written by
Carson Robison in 1926 about a 1925 train
wreck - first recorded the same year but
was later recorded by Riley Puckett in
1935 - tab is as played by Doc Watson on
his 1971 "Doc Watson On Stage" album,
consisting of one verse - Carter style) |
C |
21 measures |
2.50 |
G784 |
YOU ARE MY FLOWER
(Country - written by Maybelle Carter and
first recorded by the Carter Family in 1938,
tab is based partly on Lester Flatt and Earl
Scruggs' 1964 recording and consists of 2
verses - Single-string, Carter and Cross
Picking styles) |
C |
25 measures |
2.50 |